Dangerous Music Bax EQ

“Unlike anything you’ve heard, but exactly like what you’ve been seeking.”
-Phil Demetro, Lacquer Channel Mastering.

NEW EQ FROM DANGEROUS MUSIC:

The Dangerous BAX EQ was inspired by Peter Baxandall’s legendary 1950’s design that has graced hundreds of millions of home hi fi systems. The BAX EQ’s unique design carves broad, open curves and gentle sloping cuts that are essential for recording, mixing and mastering. Seeking the elusive Top 10 vocal sound? Add that perfect sheen of air. Chasing the chunk in grinding guitars? Dial in the meat. Lush midrange, bottomless bass, and space are achieved effortlessly. Please welcome the BAX EQ to your tools for success- no radical sonic signature to overshadow the music… just your mix, a little neater, a little sweeter.

WHY CUT?

Infrasonic rumble and ultrasonic interference are pc terms for the audio trash that lurks unnoticed in the extreme frequency wings. This garbage devours dynamic range and creates converter slew rate overload. It’s elimination dramatically improves the performance of any A/D-D/A converter, realized as increased low end definition, upper order clarity and higher levels for every playback medium. Combine this power with the shelving filters to instantly commense seriously sexy sonic sculpting. Unique control, delivered musically.

WHY SO WIDE?

The broad bandwidth shelving EQ affects several octaves simultaneously. This intentional design minimizes phase delay and crafts shapely, sweet, subtle sonic sculpting. Remember, steep EQ slopes often generate harsh reflections. The BAX works effortlessly with your music, unlocking a galaxy of depth and dimension previously only accessible by the audiophile elite.

MASTERING GRADE COMPONENTS

Components selected for both performance and sound, tested to draconian tolerances, breathe the analog soul back to life for stunning imaging, headroom, punch and detail.

DC COUPLED

No transformers that color your sound or filter caps that smear stereo. Instead, DC coupling with massive voltage rails and Mogami point to point wiring for simple, electronic elegance. Bandwidth from DC to light.

AUDIO TRANSPARENCY

A pristine canvas for painting sonic landscapes utilizing your own personal arsenal of plug-ins and outboard gear.

THE DANGEROUS MUSIC LEGACY:

“Audio Integrity: non-negotiable.” This is the credo upon which Dangerous Music is founded. Conceived and designed by end users—not by engineers in lab coats–the results are products that resurrect dynamic range, punch, intelligibility and emotion. These high-fidelity, uncompromised signal paths are achieved by harnessing over 20 years of Chris Muth’s design wizardry; creator of infamous custom black boxes for world class facilities like Hit Factory, Masterdisk, Absolute Audio and Sterling Sound Mastering. Then the critical listening skills of golden-eared luminaries are applied, with the result being musical tools that fulfill the actual needs of today’s flexible computer based studio.

Dangerous Music Bax EQ

“The BAX EQ is my new favorite box to put across my whole mix. It lets me achieve that modern pop brightness without any of the usual sibilance or harshness. The super low-end is fat without being muddy and it’s incredibly smooth and balanced. I have never heard any EQ like this one before.”
-Fab, FLUX Studios, NYC

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ATC SCM25A Compact 3-Way Studio Monitors

The newest product from ATC brings the quality of the ATC 3-Way monitor systems (like the SCM50 and SCM150) to a much smaller footprint!

The SCM25A features a 1″ HF driver, 3″ proprietary mid-dome, and 7″ proprietary short coil carbon paper woofer. The famous low distortion ATC technology is apparent throughout– including the 4th order critically damped, phase compensated crossover, and passively cooled, FET limited amplifier block. The integrated tri-amplifier provides 150W to the woofer, 60W to the Mid Dome, and 25W to the soft dome tweeter, and has 0 to +6dB bass boost control, as well as a 0 to -6dB input trim.  Also provided is a foam port bung to reduce low frequency output in small listening/control rooms. The port bung will give -1.5dB attenuation, centred on 80Hz. Output below 45Hz will increase by approximately 1dB. There will be an optional rackmount system, also provided by ATC, when needed for Broadcast and Television applications.

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